In 2016, after an overwhelmingly critical success, “A Mulher do Fim Do Mundo” (The Woman of the End of the World) won the Latin Grammy for Best Pop Music Album, as well as appearing on The New York Times‘s “10 Best Albums of the Year” list.
Elza Soares has released the clip of “Mulher do Fim Do Mundo“, music that gives name to its premier album released in 2015.
The video, which is the first of Elza’s career in film format, highlights the singer’s expressiveness at the same time as mixing several other ‘Elzas’ to show a common desire: to sing to the end of the world, until death separate her from the music!
“Eu convido todo mundo para a minha festa / Só não convido você por que você não presta” (I invite everyone to my party / I just do not invite you because you’re not worth anything) sings Mallu Magalhães in the samba “Você Não Presta“. Unprecedented, the song paves the way for the singer’s new studio album, the long-awaited “Vem“, a title-winning work full of shows that the singer promotes in the coming months. An extension of the sound produced in “Pitanga“, masterpiece of the singer from São Paulo.
Just like in “Casa Pronta“, a composition delivered to the public in August of last year, Magalhães strolls samba in a good-humored, light manner, detailing verses marked by the complete honesty of the themes. The main difference lies in the strength of this song. A clear exercise of disgust and denial, as a purposeful detachment from confessional romanticism that spreads comfortably within the single that precedes it.
“Não Te Dás a Ninguém” advances the arrival of the third album of originals of the Prana, which succeeds “O Amor e Outros Azares“. The theme portrays the antagonism between attraction and fatality, and the band tries to play with often distant concepts, such as rock and electronic: “It’s a metaphor that describes those situations where we see ‘danger’ written everywhere but not We managed not to follow. An arm of iron and silk, of seduction. ”
The musical tension manifests itself in a vibrant, chorus-like sound, with a rhythmic crescent marked by an overactive guitar that finds in the battery, with more electronic tonalities, its energy circuit. “Se não me queres, o que é que queres de mim?” (If you do not want me, what do you want from me?) Expresses all the matter and energy of the music.
The band from São João da Madeira also runs a new universe, new ways of life, in which they seek to unify cinema and music. “Não Te Dás a Ninguém” is accompanied by an illustrative video clip with a neo – notic aesthetic, on the one hand, explores the lighting features, highlighting aspects of the characters and feeding the tension in the viewer, on the other, through an apparent action Arbitrary, has the power to establish the relationship between the characters and their breaks. The letter gives the nickname for this type of aesthetics, looking at a mundane theme of protagonists ruined by fatalism and daily injustice.
The video was produced by Ricardo Leite‘s team, who, among other works, successfully adapted Rui Zink‘s narrative, “A Instalação do Medo” (The Installation of Fear), to the big screen. The short film was awarded by the Academia Portuguesa de Cinema with the Prémio Sophia 2016 and has been exhibited at various film festivals at home and abroad (such as the Berlin Student Film Festival in March and, for these days, the Short Film Corner in Cannes).
George Marvinson is the pseudonym created by Tiago Vilhena (bass player of the Savanna) to show us his vision of the world in the form of songs. After the first single from the debut album, “Beni,” which showed a seductive and romantic facet of the musician, “My Summer“, shows us a fighting spirit and insistent, aggressive but at the same time entertaining, that until now George Marvinson had not yet unraveled.
“Chill Wild Life” will be the name of the debut album and will allow us to accompany George in his dilemmas, passions and daydreams in the form of simple and honest lyrics accompanied by a musicality now fun or nostalgic, always with a unusual decommissioning.
The album was recorded with the family at pontiaq’s studio by the hand of brother Miguel Vilhena at the end of 2016 and will be released in 2017 also by pontiaq.
The Town Bar project was formed in Cartaxo in 2014 between four friends, two of whom were twin brothers – Filipe Nicolau (voice, guitar, ukulele and guitalele), Miguel Nicolau (drums and vocals), Artur Correia (trumpet, And voice) and Luis Mirradinho (bass and vocals). After two years with numerous concerts, including the NOS Alive and the Festa do Avante, his debut album arrived.
“At the Bar” was released on September 19, 2016, and the title track reached the top spot in Tradiio’s overall ranking, which raised the day’s song on the platform and was chosen to play at Soho Radio in London.
Now it’s the turn of “At the Bar” to have a music video. Diogo Caramujo is the director, and the bar of the title is interpreted by the Refúgio dos Petiscos.
The song “Sertão Urbano” (Urban backwoods) is part of the first and self-titled Carne Doce disc of 2014. Now in 2017, the group re-recorded the song and re-presented it in an unpublished music video.
The video features the signature of Dafuq Filmes, directed by Larry Sullivan and features scenes from Goiânia and Chapada dos Veadeiros, entitled to aesthetic recreations of images taken by drones.
“I can’t breathe” were the last words of Eric Garner, an American brutally killed by New York police in 2014. “I can’t breathe” are therefore the first words of what is the return of Bruno Rosmaninho Aka Rosemary Baby to the original themes.
As a cry of revolt and manifesto against discrimination, the theme of advancement for the new album “Timeless” materializes the need to rewrite a new story.
But instead of war and conflict, Rosemary Baby chooses the hug and, with her dreamy pop, seems to have only one goal: to simplify what the world seems to complicate, to simplify the human relationship.
It all started in 2012, inspired by Ilha do Príncipe, when Bruno Rosmaninho began to write the songs that later that year went from guitar to studio. Things of life, joys or day-to-day sorrows … On November 25 of the same year was released “The First Time“.
“In Nature, nothing is lost, nothing is created, everything is transformed.”
If Patrícia Relvas and Roberto Afonso stole the phrase (and the name Lavoisier), it was in the traditional Portuguese songbook that the pair, at the time living in Berlin, made their music. Far from being another group that reinvents the portuguese music tradition, the energy that springs from the duo’s performances takes on a dynamic of its own, discovering a new energy for national music. Joining Patrícia’s voice and Roberto’s electric guitar, the project emerges as a musical therapy, to treat a crisis of Portuguese identity.
In the course, they already have two albums, edited by themselves, which are testimony to this space full of new paradigms and forms in the national music. Lyrics and compositions created from transformed chemistry that is just theirs. A work that tells stories through melodies, acts and common thoughts. There we find dead poets, various unknowns, unattainable flesh, and the energy of an object with its own life. The single “Opinião” (Opinion) is the first entry into this universe.
With the realization of the photographer Joana Linda, the video clip that we present today was shot in the cinematographic environment of the 1908 Lisbon Hotel. “Disguise” is the second single from the debut EP of Beatriz Pessoa, “Insects“, released late last year.